Wellington Oracle

Stewart Matthews (front) and Richard Gélinas in Arabian Night - photo by Tim Ginley

-Theatre review by Lesley Buxton

Roland Shimmelpfennig ‘s Arabian Night is a dreamscape, a symphony of movement and sound. In her director’s notes Natalie Joy Quesnel says that she was drawn to this work because it offers “a glimpse into the sub-conscious and unconscious mind where we can all be the author of our own fairytale.”

Set in a high rise apartment block on the hottest night of the year, this whimsical piece examines the inner lives of five characters all linked through proximity and their imaginings: the apartment’s superintendent, two female roommates, a boyfriend and a voyeuristic neighbor. Unlike conventional plays however, the setting of this piece is almost inconsequential. For as the play progresses and the line between reality and fantasy becomes indistinct we grow more involved in their fantastical surroundings. This is a play in which we are never quite sure where the truth lies.

Although I found much of what Shimmelpfennig explores in his play compelling, I questioned some of his methodology. In particular the way the characters narrate their action rather than converse directly. This technique used to demonstrate the isolation of their lives also serves to detach the audience from the characters which in turn makes it difficult for one to empathize with their fears and tribulations. Despite the actor’s best efforts it becomes tiring.

Yet there is much to recommend this work. The acting is first rate. The actors do a marvelous job with the demanding physicality of this play. They make the orchestration of their movements and the timing of their lines look effortless. Moreover there are many affecting moments in their performances as well as some unexpected humour.

I also enjoyed the performance space—Cube Gallery—and our proximity to the actors. Regrettably I found the set rather dull and felt the lighting could have done more to enhance the mood. I understand that his might have been affected by budget restraints still I feel they could have pushed further. Additionally the piece would have benefited from more music. I found Mishka Lavigne’s costumes evocative. They reminded me of Wim Wenders “Wings Of Desire.”

Evolution Theatre should be congratulated on their decision to mount this production. They took a considerable risk and I look forward to seeing what this company offers us next. This is a important production and I would encourage anybody interested in the making of theatre to see it.

Arabian Night runs from October 14 to 24, 2009 – 8 p.m. (dark, ie. no shows, on Monday and Tuesday). Doors open at 7:30 p.m. Tickets: $20 general admission, $15 students/seniors. Opening Night Gala $40. Reservations: 613-728-1750

Location: Cube Gallery – 7 Hamilton Avenue North